Jamie Foxx is stepping back into the music spotlight with the announcement of his new single “Somebody,” arriving February 13, 2026—just in time for Valentine’s Day. The Oscar‑ and GRAMMY‑winning entertainer shared the news on Instagram, teasing fans with the caption “Bout that time #somebody” and offering a preview of the track’s visualizer.
The release marks Foxx’s first new music since April 2025, when he dropped “Grandma’s Hands,” and his most significant musical move in years. Fans have been eagerly awaiting his return, especially after his widely publicized health scare in 2023 and his gradual reemergence across film, comedy, and public appearances.
Foxx’s new single is being celebrated as a major moment for fans who have missed his signature blend of soulful R&B and emotional storytelling. According to early descriptions, “Somebody” features lush vocal stacks and slow‑burning instrumentation, creating an intimate sound that builds toward a more sensual, emotionally charged tone. The lyrics explore longing, heartbreak, and the search for connection—classic themes in Foxx’s musical catalog.
This release also marks Foxx’s return to the studio after more than a decade without a full album, making “Somebody” a potential first step toward a larger musical project.
Streaming platforms have already opened pre‑saves for the single, giving fans a chance to lock in the release ahead of its February debut. Foxx’s team and entertainment outlets have emphasized that this track represents a fresh chapter for the multi‑hyphenate star, who has spent the past year rebuilding momentum across entertainment.
Beyond music, Foxx has remained active in film and comedy, starring in Netflix’s action‑comedy Back in Action and releasing his emotional stand‑up special Jamie Foxx: What Had Happened Was, where he opened up about his 2023 health ordeal. His return to music adds another layer to his ongoing comeback.
Jamie Foxx’s announcement of “Somebody” signals a powerful and highly anticipated return to the music world. With its Valentine’s Day release, emotional depth, and Foxx’s unmistakable vocal style, the single is poised to resonate with longtime fans and new listeners alike.
Katt Williams is returning to Netflix with a brand‑new stand‑up special, The Last Report, premiering Feb 10th, marking his fourth collaboration with the streaming giant and continuing his run as one of comedy’s most electric and unpredictable voices. Known for his sharp social commentary, rapid‑fire delivery, and magnetic stage presence, Williams is gearing up to deliver another hour of unfiltered, high‑voltage comedy.
The Last Report follows Williams’ previous Netflix specials — Great America, World War III, and Woke Foke — each of which showcased his ability to blend cultural critique with outrageous storytelling. With every release, he’s expanded his audience while staying true to the raw, incisive style that made him a standout in the early 2000s comedy boom.
This new special arrives at a time when Williams is more culturally relevant than ever. His recent interviews and live appearances have sparked viral conversations, and fans have been eager to see how he channels that energy into a full-length performance.
While Netflix has kept plot details under wraps, The Last Report is expected to feature Williams’ signature mix of observational humor, biting satire, and personal reflection. His specials often tackle everything from politics and pop culture to race, relationships, and the absurdities of everyday life. Given the title, audiences can likely expect a set that feels timely, pointed, and unapologetically bold.
Williams has long been known for his ability to command a stage with both precision and chaos — weaving between polished punchlines and spontaneous riffs that feel like they could only happen in the moment. Fans can anticipate the same unpredictable brilliance here.
Netflix has become the premier home for Williams’ stand‑up work in recent years, and The Last Report further solidifies that partnership. As the platform continues to invest heavily in original comedy, Williams remains one of its most recognizable and influential voices.
Katt Williams is one of the few comedians whose specials consistently become cultural events. His perspective is sharp, his delivery is fearless, and his ability to tap into the national mood — whether through humor or provocation — makes every new release feel significant.
The Last Report promises to be no exception. For longtime fans, it’s another chance to see Williams at full power. For new viewers, it’s an opportunity to experience one of the most distinctive comedic voices of the past two decades.
With The Last Report, Katt Williams is poised to deliver another unforgettable hour — one that blends insight, chaos, and comedy in a way only he can.
It was never just about the bunker! Xavier searches for Teri out in the world and learns how people survived the three years since ‘The Day’.
Back in Paradise, the social fabric frays and new secrets are uncovered about the city’s origins.
Watch the new trailer above!
Regina Hall has officially joined Adam Driver in Netflix’s upcoming hostage thriller series Rabbit, Rabbit, a high‑stakes psychological drama centered on an escaped convict, a tense standoff, and a veteran FBI negotiator trained in “tactical empathy.”
Netflix’s new thriller series Rabbit, Rabbit continues to build momentum with the addition of acclaimed actress Regina Hall, who will star opposite Adam Driver in what is shaping up to be one of the streamer’s most anticipated limited series. The project, created and showrun by Peter Craig (Top Gun: Maverick, The Batman) and directed by Philip Barantini, was ordered straight to series and has drawn attention for its intense premise and powerhouse cast.
The series follows J‑Will (played by Driver), an escaped convict who becomes cornered by law enforcement at a remote truck stop. In a desperate attempt to negotiate his freedom, he takes several people hostage. What begins as a straightforward standoff quickly spirals into something far more volatile—an unpredictable social experiment shaped by fear, manipulation, and survival instincts.
Regina Hall stars as Poppy, a retired FBI supervisory special agent reluctantly pulled back into crisis negotiation. Poppy is described as the only person capable of matching J‑Will’s intellect and emotional complexity, setting the stage for a gripping psychological duel between captor and negotiator.
In addition to Hall and Driver, the cast includes Odessa Young and Will Poulter, further strengthening the ensemble. Driver also serves as an executive producer alongside Craig and Barantini, with production backed by MRC and additional producing partners.
The creative pedigree behind Rabbit, Rabbit—from Craig’s blockbuster writing credentials to Barantini’s award‑nominated directing—signals a series that aims to blend character‑driven drama with high‑tension suspense.
Regina Hall’s addition brings both dramatic weight and emotional nuance to the series. Known for her versatility across comedy and drama, Hall has recently earned acclaim for roles in One Battle After Another, Girls Trip, Honk for Jesus. Save Your Soul, and The Best Man franchise. Her role in Rabbit, Rabbit marks a shift toward darker, more psychologically complex territory.
Her dynamic with Driver—an actor celebrated for his intensity and depth—promises to be one of the show’s most compelling elements.
With Regina Hall joining Adam Driver, Rabbit, Rabbit is shaping up to be a standout entry in Netflix’s growing slate of prestige thrillers. The series blends a gripping hostage scenario with layered psychological conflict, supported by a strong cast and an accomplished creative team. While Netflix has yet to announce a release date, anticipation is already building for what could become one of the platform’s most talked‑about dramas of the year.
Luc Besson’s Dracula, starring Caleb Landry Jones and Christoph Waltz, is a bold, atmospheric reimagining of Bram Stoker’s classic tale—one that blends gothic horror with Besson’s signature visual flair. The film follows the familiar bones of Stoker’s novel but reshapes them with a modern cinematic pulse, creating a version of Dracula that feels both timeless and freshly unsettling.
Besson’s adaptation leans into the psychological tension of the original story. The film opens with Jonathan Harker’s journey to Transylvania, but instead of relying on traditional gothic tropes alone, Besson layers the narrative with a sense of creeping dread and emotional complexity. The castle is a character in itself—cold, cavernous, and beautifully shot—setting the stage for a Dracula who is far more nuanced than many past interpretations.
Caleb Landry Jones delivers a mesmerizing performance as the Count. His Dracula is eerie, unpredictable, and strangely sympathetic, capturing the tragic loneliness and monstrous hunger that define Stoker’s creation. Jones brings a physicality and emotional depth that make his portrayal stand out among modern interpretations. In fact, I genuinely felt that his Dracula ranks among one of the best ever brought to screen from Bram Stoker’s novel. He manages to be terrifying without losing the humanity buried beneath centuries of darkness.
Christoph Waltz, playing a priest instead of the hero Professor Van Helsing that we have come to know in the past interpretations, brings his trademark precision and gravitas. His scenes with Jones crackle with tension, offering a cerebral counterbalance to the film’s more visceral moments. Waltz’s performance grounds the story, giving it a moral center without slipping into cliché.
Luc Besson’s direction is stylish and deliberate. He blends gothic horror with sleek modern pacing, creating a film that feels both classic and contemporary. The action sequences—yes, there are a few—are choreographed with the intensity Besson is known for, yet they never overshadow the emotional core of the story. The cinematography is rich with shadow and color, and the score amplifies the film’s haunting atmosphere.
I thoroughly enjoyed Dracula. It’s a visually striking, emotionally layered adaptation that respects the source material while daring to reinterpret it. Caleb Landry Jones delivers a standout performance that elevates the entire film, and Christoph Waltz adds a compelling intellectual edge.
Overall, it’s a gripping, stylish, and surprisingly fresh take on one of literature’s most enduring monsters—and a version of Dracula that deserves to be remembered.
I give this film a B minus.
Dracula opens nationwide on February 6, 2026.
Shelter, the new action thriller starring Jason Statham and Bill Nighy, delivers exactly what fans of the genre hope for: relentless momentum, sharp choreography, and two veteran actors who know how to command the screen in completely different ways.
The film wastes no time dropping viewers into its high‑stakes world. Statham once again proves why he’s one of the most reliable action stars working today. His fight sequences are crisp, physical, and satisfyingly brutal without ever feeling repetitive. There’s a confidence to the way he moves through the film—every punch, kick, and improvised weapon feels like it belongs to a character who’s been surviving on instinct for years.
Bill Nighy, meanwhile, brings a cool, understated presence that balances Statham’s intensity. His dry wit and quiet menace give the story texture, and the contrast between the two actors becomes one of the film’s most enjoyable dynamics. Whenever they share the screen, the movie finds a rhythm that’s both tense and surprisingly fun.
The action is unquestionably the film’s strongest asset. Several set pieces stand out, especially a claustrophobic hallway brawl and a rooftop chase that feels ripped from the golden age of practical stunt work. The pacing rarely drags, and even when the plot leans into familiar territory, the execution keeps things engaging.
The film’s logline reads as follows: A recluse (Statham) on a remote Scottish island rescues a girl (Bodhi Rae Breathnach) from the sea, unleashing a perilous sequence of events that culminate in an attack on his home, compelling him to face his turbulent history.
If there’s a drawback, it’s that the story doesn’t always rise to the level of its performers. Some emotional beats feel rushed, and a few supporting characters fade into the background. But the film never pretends to be anything other than a tightly wound action ride—and on that front, it succeeds.
Overall, I give the film a B plus.
Shelter is now playing in theaters.
In this episode of Box Seats (where comedians talk sports), we discuss both the NFC and the AFC Championship Games, where the Patriots and the Seahawks both advance to the Super Bowl!
We discuss the game between the New England Patriots and the Denver Broncos, and the Los Angeles Rams and the Seattle Seahawks, and all of the twists and turns!
Plus, we talk about the hottest topics in sports! Watch the latest episode above!
According to our soures, we hear that Real Writers of Hollywood is doing a LIVE podcast event in Beverly Hills Friday February 13, during NBA All-Star Weekend.
Joey Wells, Johnny Mack, Wayne Stamps, Buddy Lewis and Chris Spencer (the creative team behind Real Husbands of Hollywood) are putting on a live podcast event to celebrate the launch of their new comedy podcast Real Writers of Hollywood. Several celebrity guests are scheduled to make an appearance.
If you are not familiar, Real Husbands of Hollywood was a parody sitcom created by comedian Kevin Hart, which first aired on BET in 2013 and ran until 2016, before returning for a revival season in 2022 on BET+. The series quickly gained attention for its unique format, blending scripted comedy with the aesthetics of reality television.
At its core, the show was a satirical take on popular reality franchises like The Real Housewives. Instead of following housewives, it centered on exaggerated versions of Kevin Hart and other celebrities navigating the absurdities of Hollywood life. Hart played a fictionalized version of himself, constantly scheming to climb the social ladder, with much of the humor stemming from his over-the-top antics and rivalries.
The ensemble cast featured Nick Cannon, Boris Kodjoe, Duane Martin, J.B. Smoove, and Robin Thicke, with guest appearances from stars such as Nelly and Shaquille O’Neal. Each actor leaned into a caricatured version of their public persona, creating a comedic dynamic that poked fun at fame, ego, and the entertainment industry.
Critics and audiences praised the show for its originality and self-aware humor. By parodying the conventions of reality TV, Real Husbands of Hollywood offered a fresh spin on celebrity culture while showcasing Kevin Hart’s knack for self-deprecating comedy. The series ran for five seasons before concluding in 2016, but its cult following led to a revival in 2022. The new season brought back much of the original cast and continued the same satirical tone, proving the concept still resonated years later.
This new podcast aims to tackle all of the fun and laughs that happened on the show and behind the scenes, and might be one of the most exciting events (other than the slam dunk contest) to be taking place on NBA All-Star Weekend in Los Angeles.
Stay tuned for more details as it develops.
Please add follow them on IG, FB, and TIKTOK @RealWritersOfHollywood
In this episode of Box Seats, we discuss the news of former Indianapolis QB Phillip Rivers possibly landing the Head Coaching job of the Buffalo Bills, and the ramifications of the hire, if hired, and more.
We also talk about the very hot topic of Lamar Jackson, and if the new coaching staff is contemplating trading him, and what else the Ravens may do.
We also talk about the hottest topics in sports! This episode stars Howie Bell, Damien Jones, and filmmaker Jay D Hayes.
Watch the latest episode above!
Curtis “50 Cent” Jackson’s G-Unit Audio is teaming with Narratively on a new podcast series to explore the early life and rise of the late rapper and actor DMX. In collaboration with iHeartPodcasts, Look Thru My Eyes: Becoming DMX will be available everywhere podcasts are heard later this year.
Hosted by Jadakiss, the series will take listeners back to a time before the world knew DMX — when Earl Simmons was a young, fiercely talented artist hustling, battling, and surviving his way through Yonkers, New York. Family members, childhood friends, collaborators, rivals, and cultural icons will share intimate, firsthand insight into DMX’s formative years across the series’ first season.
Plans for the project begin with DMX, with later seasons to focus on the origin stories of other notable artists.
“DMX’s story is bigger than the music — it’s about survival, faith, pain, and purpose,” shared Jackson. “Look Thru My Eyes: Becoming DMX gives people a chance to understand where X came from, before the fame, through the voices of the people who were really there. This is the story that shaped the legend.”
Executive producers Bruce Miller and Justin Baez are fellow Yonkers natives, like DMX and Jadakiss, who have deep personal ties to DMX and his family. A release for the projects touts how Miller and Baez’s “lived connection to the city — and to DMX’s impact on it — grounds the series in the community that shaped him long before fame.”
“DMX’s story is inseparable from Yonkers, and his legacy is the lifeblood of hip hop,” Miller noted.
Veteran audio producer Drew Nelles (Crimetown, The Binge Crimes: Finding Mom’s Killer) will serve as the project’s showrunner. In addition to Jackson, Miller, and Baez, the series is executive produced by Noah Rosenberg and Paul Anderson of Workhorse Media, the latter of whom negotiated the deal on behalf of Jackson and Narratively in partnership with IAG. Narratively, G-Unit Audio, Blue Light Media, and 1982 Media, in association with Workhouse Media, produce Look Thru My Eyes: Becoming DMX.
Jackson is riding the wave of success with this newly announced non-fiction project, following the release of his hugely popular Netflix docuseries, Sean Combs: The Reckoning, which debuted at No. 1 and drew an estimated 22 million views in its opening weekend. Additionally, his podcast Surviving El Chapo: The Twins Who Brought Down a Drug Lord, produced with iHeartPodcasts, was a breakout hit.
Deadline recently announced Jackson’s G-Unit Film & Television is developing the new true-crime series Gang Wars (working title), exploring America’s most infamous gang rivalries at A&E. This project is among multiple others in various stages of production, including the expansion of his wildly popular Power Universe franchise with Starz. Jackson is repped by IAG and attorney Steve Savva.
Source: Deadline