
Wanda Sykes is taking an unexpected and powerful turn in her career with her first‑ever dramatic lead role in the upcoming boxing drama Undercard. The newly released trailer reveals Sykes in a performance far removed from her well‑known comedic persona, portraying a former champion fighter battling personal demons while trying to repair a fractured family bond.
Directed by Tamika Miller and co‑written by Miller and Anita M. Cal, Undercard follows Cheryl “No Mercy” Stewart, a two‑time boxing champion and recovering alcoholic who attempts to reconnect with the adult son she once abandoned. Her son Keith, played by Bentley Green, is a naturally gifted fighter whose raw talent lacks the discipline needed to rise in the sport. The trailer highlights the emotional tension between mother and son as they confront resentment, trauma, and the possibility of redemption.
The film features a strong ensemble cast including Estella Kahiha, Xavier Mills, William Stanford Davis, Berto Colón, and Roselyn Sánchez. Sykes also serves as an executive producer alongside Holly Levow, Mark Pennell, and Paul Kampf, signaling her deep investment in the project both on‑screen and behind the scenes.
Early reactions to the trailer note how effectively Sykes steps into the dramatic space, with the footage emphasizing emotional stakes over traditional boxing‑movie formulas. Her portrayal of a woman fighting for sobriety, forgiveness, and a second chance suggests a compelling performance that could redefine how audiences see her.
Undercard is slated for theatrical release on February 27, bringing a fresh, character‑driven story to the boxing genre — and marking a milestone moment in Wanda Sykes’ already remarkable career.
Watch the trailer below;
Nate Parker and David Oyelowo‘s long-delayed thriller Newborn is finally getting a domestic release with an exclusive partner.
The movie, which is written, directed, and produced by Parker and produced by and stars Oyelowo, is being lined up for an April 10th theatrical bow exclusively with AMC Theatres. Oyelowo and Parker are teaming with the chain on the launch via their joint production and distribution label Mansa Studios.
The dystopian psychological-thriller follows “Chris Newborn (Oyelowo), who, after serving seven years in solitary confinement, seeks to rebuild his life and reconnect with his family only to find that freedom has become a terrifying psychological battleground”.
Below is a first look image at Newborn:

Originally known as Solitary, the film that is now Newborn went into production in 2020 but became an unreleased mystery. However, as we revealed over Christmas, a distribution deal became real in recent months. The film also had to contend with the COVID period and an increasingly challenged space for indie film distribution.
Then AMC got on board with a vote of distribution confidence
“Newborn is the kind of bold, provocative, and original storytelling that comes alive on the big screen,” commented Nikkole Denson-Randolph, Chief Content Officer, AMC Theatres today to Deadline. “We’re proud to be the exclusive exhibitor supporting a release model that prioritizes theatrical.”
Oyelowo said today: “When it came to our distribution goals, AMC truly understood the empowering direct-to-consumer nature of the partnership we were seeking for our film while embracing the non-algorithmic yet immersive experience we wanted the audience to have.” Director Parker added: “It was essential to us that audiences experience this emotionally charged, edge-of-your-seat thriller together—on the biggest possible stage, and AMC provides both scale and a dedicated audience.”
According to the duo, their Mansa has raised $12M in seed funding led by MaC Venture Capital, with participation from WndrCo, Galaxy Investment Partners, Base Ventures, Rainmaker Films, Black Capital VC, K Period Media, and Robert F. Smith.
Olivia Washington (Breaking), Barry Pepper (Saving Private Ryan) and Jimmie Fails (The Last Black Man in San Francisco) also star in the film. Producers are Aaron L. Gilbert and Christina Lee Storm, alongside Parker, and Oyelowo through his Yoruba Saxon banner.
The latest effort from Sundance-acclaimed helmer and CAA-repped Parker follows his Venice title American Skin and TV drama Baselines releases As his career ascended in 2016, Birth Of A Nation director Parker faced old accusations of sexual assault from 1999. Charges that he denied and was acquitted of decades before.
Golden Globe, Emmy, and BAFTA nominee Oyelowo, who is also represented by CAA, is known for movies including Ava DuVernay’s Selma and Lee Daniels’ The Butler. He also was the lead in the Taylor Sheridan and Paramount+ western limited series Lawmen: Bass Reeves.
Source: Deadline
In this episode of Box Seats (where comedians talk sports), we discuss the news from the NFL surrounding the aftermath of the Super Bowl and other news about some inside moves in the NFL, from coaching to players rejecting new deals. There were even some surprises!
Plus, we talk about some of the hottest news from the NBA, the week of the NBA All-Star Game, and we hear some surprising news about Boston Celtics star Jayson Tatum!
We also talk about all of the hottest news in sports! Watch the video above! This episode features comedians Howie Bell, Damien Jones, and filmmaker Jayson Hayes!
#TheSuperBowl #SuperbowlLX #NFL #NBA #NBATrades #comedy #comedygrind #NFLTrades #NFLRumors #NFLFreeagency #TheNewEnglandPatriots #TheSeattleSeahawks #NFLHeadCoaches #Hottopics #Sports #Sportstalk
Sherri Shepherd’s daytime talk show Sherri, is coming to an unexpected end, and emerging details suggest the cancellation may have had less to do with ratings and more to do with what was happening behind the scenes. According to multiple industry insiders, the show struggled with chronic production challenges that ultimately undermined its momentum and Shepherd’s ability to deliver the kind of program she envisioned.
The show, which launched as a successor to The Wendy Williams Show, initially drew solid interest thanks to Shepherd’s warm personality, comedic instincts, and loyal fan base. But while Shepherd consistently showed up with energy and professionalism, sources say the infrastructure around her didn’t keep pace. Reports point to staffing shortages, inconsistent creative direction, and a lack of long‑term planning support — issues that can quietly erode even the most promising daytime format.
Shepherd, a seasoned performer with years of experience in television, was said to be frustrated by the disconnect between her ambitions for the show and the resources provided to execute them. Daytime talk is a demanding genre that relies heavily on a strong production engine: booking teams, writers, segment producers, and technical staff all working in sync. When that machine falters, the host often takes the public blame, even when the root problems are structural.
Industry observers note that the cancellation reflects a broader trend in daytime TV, where networks are tightening budgets and expecting hosts to carry more weight with fewer resources. Shepherd’s situation highlights how difficult it can be for even a well‑liked personality to thrive without consistent behind‑the‑scenes support.
Despite the abrupt ending, Shepherd’s reputation remains intact. She’s widely respected for her work ethic, humor, and resilience, and insiders expect she’ll land on her feet — whether in scripted comedy, hosting, or producing her own projects. For fans, the cancellation is disappointing, but it also underscores a truth long known in the industry: a talk show is only as strong as the team behind it.
Eddie Murphy and Eva Longoria are joining forces once again, this time for Attachment Parenting, a new comedy in development at Amazon MGM Studios. The project marks a reunion for the two stars, who previously worked together on the 2006 family hit The Shaggy Dog. Now, nearly two decades later, they’re stepping back into each other’s orbit for a film built around modern parenting chaos, generational clashes, and Murphy’s signature comedic energy.
Attachment Parenting centers on the increasingly popular — and often polarizing — parenting philosophy that emphasizes constant closeness, emotional attunement, and hands‑on involvement. The film is expected to play with the extremes of the trend, using Murphy’s comedic instincts and Longoria’s sharp timing to explore what happens when idealistic parenting theories collide with real‑world family life.
Murphy continues his creative resurgence with Amazon MGM, following recent collaborations that have reintroduced him to a new generation of audiences. Longoria, meanwhile, has expanded her footprint as both an actress and director, bringing a strong comedic sensibility and cultural perspective to her projects.
The film is being positioned as a warm, high‑energy family comedy with broad appeal — the kind of project that lets Murphy lean into physical humor and character‑driven storytelling, while giving Longoria room to shine as a comedic partner. With Amazon MGM backing the production, the movie is expected to receive a wide streaming rollout, with the potential for a theatrical component depending on the final cut.
No release date has been announced yet, but anticipation is already building. For fans of Murphy, Longoria, and family‑centered comedies with heart, Attachment Parenting is shaping up to be a standout addition to Amazon MGM’s growing slate.
In this episode of Box Seats (where comedians talk sports), we discuss the breaking news of New England Patriots owner Robert Kraft not getting the required votes to get nominated into the NFL Hall Of Fame!
We also discuss all of the major trades that happened in the NBA today from the Grizzlies, the Celtics, the Bulls, the Jazz, and more!
#TheSuperBowl #NFL #NBA #NBATrades #comedy #comedygrind #NFLTrades #NFLRumors #NFLFreeagency #TheNewEnglandPatriots #TheSeattleSeahawks #NFLHeadCoaches #Hottopics #Sports #Sportstalk #RobertKraft
In this episode of Box Seats (where comedians talk sports), we discuss the news of several NFL coaches landing new jobs, from the LA Raiders to the Arizona Cardinals.
We also talk about the NBA Trade Deadline that’s quickly approaching!
All of that plus the hottest topics in sports! This episode stars comedians Howie Bell and Damien Jones!
#TheSuperBowl #NFL #NBA #NBATrades #comedy #comedygrind #NFLTrades #NFLRumors #NFLFreeagency #TheNewEnglandPatriots #TheSeattleSeahawks #NFLHeadCoaches #Hottopics #Sports #Sportstalk
Sherri Shepherd’s daytime talk show Sherri has officially been canceled after four seasons, bringing an end to the comedian and actress’s energetic run as one of daytime television’s most upbeat and engaging hosts. Producers confirmed the decision on Monday, marking the close of a series that built a loyal following and carved out its own identity in a competitive daytime landscape.
Sherri debuted in 2022 as the successor to The Wendy Williams Show, with Shepherd stepping in after serving as a popular guest host during Wendy Williams’ extended absence. Her warm personality, comedic timing, and natural connection with viewers helped the show quickly establish itself.
Over its four‑season run, Sherri blended celebrity interviews, lifestyle features, comedy segments, and Shepherd’s signature conversational monologues. Fans often praised the show for its authenticity and feel‑good tone, which set it apart from more traditional daytime formats.
Producers have not pointed to a single cause, but industry observers note that daytime television has been undergoing major shifts. Changing viewer habits, rising production costs, and increased competition from streaming platforms have pushed networks to reevaluate their daytime lineups. Sherri ultimately became one of several shows affected by these broader strategic changes.
The show will continue airing through the end of its current season, with reruns expected to fill the timeslot until a replacement is announced.
Shepherd addressed the cancellation with her trademark optimism, thanking fans, her staff, and the network for their support over the past four years. She described the experience as “a blessing” and hinted that she has new projects in development across television, comedy, and digital media.
Her message emphasized gratitude and resilience—qualities that defined her approach to hosting.
Even though Sherri is ending, its influence remains. Shepherd brought a refreshing, comedic, and heartfelt energy to daytime television, offering viewers a space that felt personal, joyful, and grounded. Her ability to connect with audiences—whether through humor or heartfelt storytelling—helped the show stand out in a crowded field.
As Shepherd moves into her next chapter, fans can expect her to remain a vibrant presence in entertainment, both on screen and on stage.
Demond Wilson, the actor who brought heart, humor, and emotional grounding to the classic 1970s sitcom Sanford and Son, has died at 79. His son confirmed that Wilson passed away on January 30, 2026, at his Palm Springs home due to complications from cancer.
Wilson’s longtime publicist, Mark Goldman, shared that the family is “deeply saddened” and is requesting privacy as they grieve. Goldman, who worked with Wilson for 15 years, described the actor’s loss as “profoundly felt,” noting his impact on colleagues, fans, and the entertainment community.
Born Grady Demond Wilson in Valdosta, Georgia, and raised in Harlem, Wilson began performing at a young age, appearing on Broadway and dancing at the Apollo Theater by age 12. After serving in Vietnam, he returned to acting, landing guest roles on Mission: Impossible, All in the Family, and various stage productions.
His breakout came in 1972 when he was cast as Lamont Sanford, the exasperated yet devoted son of Redd Foxx’s Fred Sanford on NBC’s Sanford and Son. The series became a cultural phenomenon, with Wilson’s Lamont serving as the emotional anchor to Foxx’s bombastic comedic energy. Their father‑son dynamic—often punctuated by Fred’s famous “you big dummy!”—became one of television’s most memorable pairings.
Wilson remained on the show for its six‑season run from 1972 to 1977, helping cement its place as one of the most influential sitcoms of its era.
After the series ended, Wilson continued acting, taking on the role of Oscar Madison in ABC’s The New Odd Couple and appearing in films and television throughout the 1980s. He later shifted his focus toward writing, ministry, and public speaking, becoming an ordained minister and authoring several books.
Demond Wilson’s portrayal of Lamont Sanford left an indelible mark on American pop culture. His work helped shape one of the first major sitcoms to center on a Black family, influencing generations of performers and storytellers.
As tributes continue to pour in, Wilson is remembered not only as a talented actor but as a man whose work brought joy, laughter, and heart to millions. His legacy lives on through the timeless episodes of Sanford and Son and the impact he made on television history.
In this episode of Box Seats (where comedians talk sports), we discuss the news of Coach Bill Belichick being snubbed for the NFL Hall of Fame, and we talk about all of the repercussions from the news since!
We also ask, should the voters all be named? Should there be a new process? Is this a disgrace? We talk about all of that and more!
Plus the hottest topics in sports! This episode features comedian and actor Howie Bell!