In this episode of Box Seats (where comedians talk sports), we discuss the breaking news of New England Patriots owner Robert Kraft not getting the required votes to get nominated into the NFL Hall Of Fame!
We also discuss all of the major trades that happened in the NBA today from the Grizzlies, the Celtics, the Bulls, the Jazz, and more!
#TheSuperBowl #NFL #NBA #NBATrades #comedy #comedygrind #NFLTrades #NFLRumors #NFLFreeagency #TheNewEnglandPatriots #TheSeattleSeahawks #NFLHeadCoaches #Hottopics #Sports #Sportstalk #RobertKraft
In this episode of Box Seats (where comedians talk sports), we discuss the news of several NFL coaches landing new jobs, from the LA Raiders to the Arizona Cardinals.
We also talk about the NBA Trade Deadline that’s quickly approaching!
All of that plus the hottest topics in sports! This episode stars comedians Howie Bell and Damien Jones!
#TheSuperBowl #NFL #NBA #NBATrades #comedy #comedygrind #NFLTrades #NFLRumors #NFLFreeagency #TheNewEnglandPatriots #TheSeattleSeahawks #NFLHeadCoaches #Hottopics #Sports #Sportstalk
Sherri Shepherd’s daytime talk show Sherri has officially been canceled after four seasons, bringing an end to the comedian and actress’s energetic run as one of daytime television’s most upbeat and engaging hosts. Producers confirmed the decision on Monday, marking the close of a series that built a loyal following and carved out its own identity in a competitive daytime landscape.
Sherri debuted in 2022 as the successor to The Wendy Williams Show, with Shepherd stepping in after serving as a popular guest host during Wendy Williams’ extended absence. Her warm personality, comedic timing, and natural connection with viewers helped the show quickly establish itself.
Over its four‑season run, Sherri blended celebrity interviews, lifestyle features, comedy segments, and Shepherd’s signature conversational monologues. Fans often praised the show for its authenticity and feel‑good tone, which set it apart from more traditional daytime formats.
Producers have not pointed to a single cause, but industry observers note that daytime television has been undergoing major shifts. Changing viewer habits, rising production costs, and increased competition from streaming platforms have pushed networks to reevaluate their daytime lineups. Sherri ultimately became one of several shows affected by these broader strategic changes.
The show will continue airing through the end of its current season, with reruns expected to fill the timeslot until a replacement is announced.
Shepherd addressed the cancellation with her trademark optimism, thanking fans, her staff, and the network for their support over the past four years. She described the experience as “a blessing” and hinted that she has new projects in development across television, comedy, and digital media.
Her message emphasized gratitude and resilience—qualities that defined her approach to hosting.
Even though Sherri is ending, its influence remains. Shepherd brought a refreshing, comedic, and heartfelt energy to daytime television, offering viewers a space that felt personal, joyful, and grounded. Her ability to connect with audiences—whether through humor or heartfelt storytelling—helped the show stand out in a crowded field.
As Shepherd moves into her next chapter, fans can expect her to remain a vibrant presence in entertainment, both on screen and on stage.
Demond Wilson, the actor who brought heart, humor, and emotional grounding to the classic 1970s sitcom Sanford and Son, has died at 79. His son confirmed that Wilson passed away on January 30, 2026, at his Palm Springs home due to complications from cancer.
Wilson’s longtime publicist, Mark Goldman, shared that the family is “deeply saddened” and is requesting privacy as they grieve. Goldman, who worked with Wilson for 15 years, described the actor’s loss as “profoundly felt,” noting his impact on colleagues, fans, and the entertainment community.
Born Grady Demond Wilson in Valdosta, Georgia, and raised in Harlem, Wilson began performing at a young age, appearing on Broadway and dancing at the Apollo Theater by age 12. After serving in Vietnam, he returned to acting, landing guest roles on Mission: Impossible, All in the Family, and various stage productions.
His breakout came in 1972 when he was cast as Lamont Sanford, the exasperated yet devoted son of Redd Foxx’s Fred Sanford on NBC’s Sanford and Son. The series became a cultural phenomenon, with Wilson’s Lamont serving as the emotional anchor to Foxx’s bombastic comedic energy. Their father‑son dynamic—often punctuated by Fred’s famous “you big dummy!”—became one of television’s most memorable pairings.
Wilson remained on the show for its six‑season run from 1972 to 1977, helping cement its place as one of the most influential sitcoms of its era.
After the series ended, Wilson continued acting, taking on the role of Oscar Madison in ABC’s The New Odd Couple and appearing in films and television throughout the 1980s. He later shifted his focus toward writing, ministry, and public speaking, becoming an ordained minister and authoring several books.
Demond Wilson’s portrayal of Lamont Sanford left an indelible mark on American pop culture. His work helped shape one of the first major sitcoms to center on a Black family, influencing generations of performers and storytellers.
As tributes continue to pour in, Wilson is remembered not only as a talented actor but as a man whose work brought joy, laughter, and heart to millions. His legacy lives on through the timeless episodes of Sanford and Son and the impact he made on television history.
In this episode of Box Seats (where comedians talk sports), we discuss the news of Coach Bill Belichick being snubbed for the NFL Hall of Fame, and we talk about all of the repercussions from the news since!
We also ask, should the voters all be named? Should there be a new process? Is this a disgrace? We talk about all of that and more!
Plus the hottest topics in sports! This episode features comedian and actor Howie Bell!
Jamie Foxx is stepping back into the music spotlight with the announcement of his new single “Somebody,” arriving February 13, 2026—just in time for Valentine’s Day. The Oscar‑ and GRAMMY‑winning entertainer shared the news on Instagram, teasing fans with the caption “Bout that time #somebody” and offering a preview of the track’s visualizer.
The release marks Foxx’s first new music since April 2025, when he dropped “Grandma’s Hands,” and his most significant musical move in years. Fans have been eagerly awaiting his return, especially after his widely publicized health scare in 2023 and his gradual reemergence across film, comedy, and public appearances.
Foxx’s new single is being celebrated as a major moment for fans who have missed his signature blend of soulful R&B and emotional storytelling. According to early descriptions, “Somebody” features lush vocal stacks and slow‑burning instrumentation, creating an intimate sound that builds toward a more sensual, emotionally charged tone. The lyrics explore longing, heartbreak, and the search for connection—classic themes in Foxx’s musical catalog.
This release also marks Foxx’s return to the studio after more than a decade without a full album, making “Somebody” a potential first step toward a larger musical project.
Streaming platforms have already opened pre‑saves for the single, giving fans a chance to lock in the release ahead of its February debut. Foxx’s team and entertainment outlets have emphasized that this track represents a fresh chapter for the multi‑hyphenate star, who has spent the past year rebuilding momentum across entertainment.
Beyond music, Foxx has remained active in film and comedy, starring in Netflix’s action‑comedy Back in Action and releasing his emotional stand‑up special Jamie Foxx: What Had Happened Was, where he opened up about his 2023 health ordeal. His return to music adds another layer to his ongoing comeback.
Jamie Foxx’s announcement of “Somebody” signals a powerful and highly anticipated return to the music world. With its Valentine’s Day release, emotional depth, and Foxx’s unmistakable vocal style, the single is poised to resonate with longtime fans and new listeners alike.
Katt Williams is returning to Netflix with a brand‑new stand‑up special, The Last Report, premiering Feb 10th, marking his fourth collaboration with the streaming giant and continuing his run as one of comedy’s most electric and unpredictable voices. Known for his sharp social commentary, rapid‑fire delivery, and magnetic stage presence, Williams is gearing up to deliver another hour of unfiltered, high‑voltage comedy.
The Last Report follows Williams’ previous Netflix specials — Great America, World War III, and Woke Foke — each of which showcased his ability to blend cultural critique with outrageous storytelling. With every release, he’s expanded his audience while staying true to the raw, incisive style that made him a standout in the early 2000s comedy boom.
This new special arrives at a time when Williams is more culturally relevant than ever. His recent interviews and live appearances have sparked viral conversations, and fans have been eager to see how he channels that energy into a full-length performance.
While Netflix has kept plot details under wraps, The Last Report is expected to feature Williams’ signature mix of observational humor, biting satire, and personal reflection. His specials often tackle everything from politics and pop culture to race, relationships, and the absurdities of everyday life. Given the title, audiences can likely expect a set that feels timely, pointed, and unapologetically bold.
Williams has long been known for his ability to command a stage with both precision and chaos — weaving between polished punchlines and spontaneous riffs that feel like they could only happen in the moment. Fans can anticipate the same unpredictable brilliance here.
Netflix has become the premier home for Williams’ stand‑up work in recent years, and The Last Report further solidifies that partnership. As the platform continues to invest heavily in original comedy, Williams remains one of its most recognizable and influential voices.
Katt Williams is one of the few comedians whose specials consistently become cultural events. His perspective is sharp, his delivery is fearless, and his ability to tap into the national mood — whether through humor or provocation — makes every new release feel significant.
The Last Report promises to be no exception. For longtime fans, it’s another chance to see Williams at full power. For new viewers, it’s an opportunity to experience one of the most distinctive comedic voices of the past two decades.
With The Last Report, Katt Williams is poised to deliver another unforgettable hour — one that blends insight, chaos, and comedy in a way only he can.
It was never just about the bunker! Xavier searches for Teri out in the world and learns how people survived the three years since ‘The Day’.
Back in Paradise, the social fabric frays and new secrets are uncovered about the city’s origins.
Watch the new trailer above!
Regina Hall has officially joined Adam Driver in Netflix’s upcoming hostage thriller series Rabbit, Rabbit, a high‑stakes psychological drama centered on an escaped convict, a tense standoff, and a veteran FBI negotiator trained in “tactical empathy.”
Netflix’s new thriller series Rabbit, Rabbit continues to build momentum with the addition of acclaimed actress Regina Hall, who will star opposite Adam Driver in what is shaping up to be one of the streamer’s most anticipated limited series. The project, created and showrun by Peter Craig (Top Gun: Maverick, The Batman) and directed by Philip Barantini, was ordered straight to series and has drawn attention for its intense premise and powerhouse cast.
The series follows J‑Will (played by Driver), an escaped convict who becomes cornered by law enforcement at a remote truck stop. In a desperate attempt to negotiate his freedom, he takes several people hostage. What begins as a straightforward standoff quickly spirals into something far more volatile—an unpredictable social experiment shaped by fear, manipulation, and survival instincts.
Regina Hall stars as Poppy, a retired FBI supervisory special agent reluctantly pulled back into crisis negotiation. Poppy is described as the only person capable of matching J‑Will’s intellect and emotional complexity, setting the stage for a gripping psychological duel between captor and negotiator.
In addition to Hall and Driver, the cast includes Odessa Young and Will Poulter, further strengthening the ensemble. Driver also serves as an executive producer alongside Craig and Barantini, with production backed by MRC and additional producing partners.
The creative pedigree behind Rabbit, Rabbit—from Craig’s blockbuster writing credentials to Barantini’s award‑nominated directing—signals a series that aims to blend character‑driven drama with high‑tension suspense.
Regina Hall’s addition brings both dramatic weight and emotional nuance to the series. Known for her versatility across comedy and drama, Hall has recently earned acclaim for roles in One Battle After Another, Girls Trip, Honk for Jesus. Save Your Soul, and The Best Man franchise. Her role in Rabbit, Rabbit marks a shift toward darker, more psychologically complex territory.
Her dynamic with Driver—an actor celebrated for his intensity and depth—promises to be one of the show’s most compelling elements.
With Regina Hall joining Adam Driver, Rabbit, Rabbit is shaping up to be a standout entry in Netflix’s growing slate of prestige thrillers. The series blends a gripping hostage scenario with layered psychological conflict, supported by a strong cast and an accomplished creative team. While Netflix has yet to announce a release date, anticipation is already building for what could become one of the platform’s most talked‑about dramas of the year.
Luc Besson’s Dracula, starring Caleb Landry Jones and Christoph Waltz, is a bold, atmospheric reimagining of Bram Stoker’s classic tale—one that blends gothic horror with Besson’s signature visual flair. The film follows the familiar bones of Stoker’s novel but reshapes them with a modern cinematic pulse, creating a version of Dracula that feels both timeless and freshly unsettling.
Besson’s adaptation leans into the psychological tension of the original story. The film opens with Jonathan Harker’s journey to Transylvania, but instead of relying on traditional gothic tropes alone, Besson layers the narrative with a sense of creeping dread and emotional complexity. The castle is a character in itself—cold, cavernous, and beautifully shot—setting the stage for a Dracula who is far more nuanced than many past interpretations.
Caleb Landry Jones delivers a mesmerizing performance as the Count. His Dracula is eerie, unpredictable, and strangely sympathetic, capturing the tragic loneliness and monstrous hunger that define Stoker’s creation. Jones brings a physicality and emotional depth that make his portrayal stand out among modern interpretations. In fact, I genuinely felt that his Dracula ranks among one of the best ever brought to screen from Bram Stoker’s novel. He manages to be terrifying without losing the humanity buried beneath centuries of darkness.
Christoph Waltz, playing a priest instead of the hero Professor Van Helsing that we have come to know in the past interpretations, brings his trademark precision and gravitas. His scenes with Jones crackle with tension, offering a cerebral counterbalance to the film’s more visceral moments. Waltz’s performance grounds the story, giving it a moral center without slipping into cliché.
Luc Besson’s direction is stylish and deliberate. He blends gothic horror with sleek modern pacing, creating a film that feels both classic and contemporary. The action sequences—yes, there are a few—are choreographed with the intensity Besson is known for, yet they never overshadow the emotional core of the story. The cinematography is rich with shadow and color, and the score amplifies the film’s haunting atmosphere.
I thoroughly enjoyed Dracula. It’s a visually striking, emotionally layered adaptation that respects the source material while daring to reinterpret it. Caleb Landry Jones delivers a standout performance that elevates the entire film, and Christoph Waltz adds a compelling intellectual edge.
Overall, it’s a gripping, stylish, and surprisingly fresh take on one of literature’s most enduring monsters—and a version of Dracula that deserves to be remembered.
I give this film a B minus.
Dracula opens nationwide on February 6, 2026.