Tommy Lee Jones is being set to star alongside Jamie Foxx in Amazon’s The Burial, with Maggie Betts directing. Jones plays a lead role that was going to be filled by Harrison Ford until he had to drop out. Doug Wright penned the screenplay.
Amazon Studios, Bobby Shriver Inc., and Double Nickel Entertainment are producing with Foxx the upcoming drama based on The New Yorker article by Jonathan Harr. Producers are Bobby Shriver and Double Nickel’s Adam Richman & Jenette Kahn. Datari Turner is also producing. The film is based on a true story, after a bankrupt funeral homeowner decides to sue a rival businessman over a handshake deal gone wrong, the owner hires a flamboyant attorney to handle the case.
Betts wrote and directed Novitiate, which won the Special Jury Award for Breakthrough Director at the 2017 Sundance Film Festival. She also received a Gotham Award nomination for the film. Her 2010 Tribeca Film Festival breakout documentary The Carrier tells the inspiring story of an HIV-positive and pregnant mother in Africa trying to protect her baby from being born with HIV/AIDS.
Oscar-winner Jones is repped by CAA.
Source: Deadline
There was Casino Royale, Quantum Of Solace, Skyfall, Spectre, and now there’s No Time To Die, Daniel Craig’s latest turn as James Bond. And let’s be clear- he’s back with a vengeance.
No Time to Die not only marks a milestone as the 25th film in the series but it’s also is one James Bond film that will make a mark in the franchise because of the twists, turns, and yes, risks in a long-delayed film.
It has been six long years since we saw Agent 007 on the big screen. In 2015’s Spectre, Bond was last seen driving away in his Aston Martin DB5 in Italy with new love Madeleine Swann.
No Time to Die marks Craig’s fifth and final turn as Ian Fleming’s suave and never-stirred secret agent. In a highly successful 15-year run, Craig has taken the series on its most serious and humane ride, an especially emotional roller coaster for the usually unflappable spy we first encountered in 1962, when Sean Connery starred in Dr. No. This edition expands on all that and leaves us wanting more, but if you wait — as all Bond fans know you should — until the very last image on the screen, four special words give us the promise that there is more to come.
No Time to Die brings us back to Bond’s relationship with Madeleine, played again by Lea Seydoux. Her reappearance marks the first time a Bond love interest has actually returned, believe it or not. I know I was very shocked to see a Bond girl return.
Interestingly, this is the first 007 film to be directed by an American, Cary Joji Fukunaga (of True Detective fame), and let’s just say he does a terrific job managing the action, a compelling love story, as well as a tip of the hat to tradition and the time honored moments we love in Bond movies.
Story-wise, Fukunaga has collaborated with Bond film veterans Neal Purvis and Robert Wade, who have written all of the Craig Bonds — they have had seven times at bat overall in the series. And with her recent successes, the team invited Phoebe Waller-Bridge of Fleabag and Killing Eve fame to add her own unique touches, a welcome female voice in the proceedings that has an impact onscreen.
As I said, this film starts just about where the last one ended as we reunite with Bond and Madeleine in the hilltop city of Matera in southern Italy. Just before we get there, we see a terrifying flashback sequence involving Madeleine as a young girl, the meaning of which becomes clear later.
As is customary, the idyllic moments Bond and his love are sharing soon take a turn and devilish forces put 007 in danger as a thrilling motorcycle chase morphs into an Aston Martin chase and questions of trust come into play. Soon Bond puts Madeleine on a train, never to see her again. Roll opening credits, which come at the 25-minute point.
Cut to five years later, and there is some sort of kidnapping in a London lab involving a Russian scientist who has some material others clearly want.
Bond finally has retired, left the service and is living la vida loca in his beloved Jamaica. But as you might imagine, his bliss is short-lived.
CIA agent and longtime buddy Felix Leiter (Jeffrey Wright) shows up and drags Bond back into action. The superspy heads to Cuba to rescue the scientist, but the mission turns out to be a bit more complicated than he first thought. And obviously, there is a new villain to stir the pot.
Safin, played to the brutal hilt by Rami Malek, intriguingly has his own past experiences with Madeleine, a plot device that adds a layer or two to the normal relationship Bond has with his villains. It also gives Seydoux more to play with than many leading ladies in the series ever got, though no one is about to forget the late Vesper Lynde from Casino Royale, especially Bond. And don’t fear, his seemingly immortal nemesis Blofeld is back, with Christopher Waltz (last seen behind bars) using his wits and eye-catching talents to make trouble from inside prison.
Among the familiar faces, Ralph Fiennes gets a bit more to do as M and Naomie Harris continues to capably play his right hand, Moneypenny, with a little more urgency than normal and importance, as women in No Time to Die serve as much more than eye candy. You can put new cast member Lashana Lynch’s Nomi in that category as well.
Lynch plays the scrappy and much-younger M16 agent Bond first meets in Jamaica. And she is very fun-and sexy- to have around, especially when she reveals that she has taken on the 007 moniker since Bond retired.
Ben Whishaw’s gadget guy, Q, is back and we get to know him — and his hairless cat — on his home turf for a change.
Back as Tanner in his fourth Bond film is Rory Kinnear, who provides needed support in his mostly-brief onscreen moments.
Among other new cast members, Dali Benssalah’s lethal Primo, henchman to Safin, is the Oddjob of the bunch. Ana De Armas gets to reunite with her Knives Out co-star Craig as Paloma, a feisty CIA agent he encounters in Cuba. Billy Magnussen turns up accompanying Leiter to Jamaica as Logan Ash, a guy who plays it by the book, or so it seems. David Dencik is the Russian scientist Valdo. And of course among the stars of any Bond film are the far-flung locations, this time including the aforementioned Jamaica, Norway, Italy and London.
Fukunaga stages some fine chases, explosions, stunts and a big, hourlong finale on Safin’s isolated island fortress, but there is as much emphasis on the human beings here, their conflicts and complications and complexities, as there is on the fast-moving thrills.
Hans Zimmer gets his first go-round at composing a Bondian music score, and John Barry must be smiling from beyond at the nifty homage to his work from On Her Majesty’s Secret Service. Its memorable song, sung by Louis Armstrong, figures in this story nicely.
The title song here, another must-have “star” of any Bond film, is “No Time to Die,” sung by Billie Eilish, but you knew that since she and brother and co-writer Finneas promoted it well over a year ago with a music video when they thought the film was coming out then. It is properly haunting, and Eilish has the perfect kind of voice for a Bond film vocal.
The film’s release is on Friday on October 8th (at last!) in the U.S. Barbara Broccoli and Michael G. Wilson produced.
To this Bond fan, No Time to Die holds a special place in my heart, and at the end of the film, you will know what I mean. All I ask is that you see it in the theater like I did.
SILVER SPRING, MD – October 7, 2021 – TV One has announced that production is underway in Atlanta for its new original movie STALKER, slated to premiere in March 2022. The movie tells the story of an actress that is stalked by a mysterious figure who hides out in her hometown, where she becomes involved with two men, and tries to determine if one is behind what is happening. The film’s stars include Meta Golding (Behind the Movement, Empire), Christian Keyes (The Boys, The Rookie, Saints & Sinners) and Tationna Bosier (Luke Cage).
The movie explores the glamorous life of well-known Hollywood actress Tanya Moore (Meta Golding), who is suddenly tormented by a stalker. The stalker calls her one night, telling her to search her soul and fix her past. The unexpected call causes Tanya to go to the house she grew up in, where her estranged younger sister Shelly (Tationna Bosier) is living. Visiting his parents’ empty house next door is Tanya’s high school boyfriend Damon (Christian Keyes). Tanya, Shelly, and Damon try to figure out who is tormenting her. The slew of suspects include menacing cop Marcus and Tanya’s tumultuous exes, Adam and Steven.
The STALKER cast features:
● Christian Keyes as Damon● Meta Golding as Tanya Moore● Tationna Bosier as Shelly
STALKER was produced in accordance with COVID-19 health and wellness guidelines. To ensure the safety of cast and crew, all staff and crew members were tested and screened for symptoms prior to start of production and throughout shooting. A COVID-19 Supervisor was charged with the responsibility of ensuring compliance with safety protocols established for the duration of the production process. STALKER is directed by Bobby Yan and produced for TV One by Swirl Films, with Eric Tomosunas and Ron Robinson, serving as Executive Producers. James Seppelfrick, Wes Cyphers and Keith Neal serve as producers for Swirl Films. For TV One, Jason Ryan is the Executive Producer in Charge of Production and Donyell Kennedy-McCullough is Senior Director of Talent & Casting.
Legendary comedian Dave Chappelle is under fire for comments about the LGBTQ+ community during his latest Netflix special, The Closer.
The National Black Justice Coalition is now asking Netflix to pull The Closer from its platform. “It is deeply disappointing that Netflix allowed Dave Chappelle’s lazy and hostile transphobia and homophobia to air on its platform,” said NBJC executive director David Johns. “With 2021 on track to be the deadliest year on record for transgender people in the United States — the majority of whom are Black transgender people — Netflix should know better. Perpetuating transphobia perpetuates violence. Netflix should immediately pull The Closer from its platform and directly apologize to the transgender community.”
GLAAD also chimed in on the controversy. “Dave Chappelle’s brand has become synonymous with ridiculing trans people and other marginalized communities,” the organization tweeted. “Negative reviews and viewers loudly condemning his latest special is a message to the industry that audiences don’t support platforming anti-LGBTQ diatribes. We agree.”
Apple TV+ today debuted the teaser trailer for the new highly anticipated murder-mystery comedy series, “The Afterparty” from Academy Award, BAFTA and Golden Globe Award winners Chris Miller and Phil Lord (“Spider-Man: Into the Spider-Verse,” “The Lego Movie,” “21 Jump Street”). The eight-episode series will premiere globally in January 2022 on Apple TV+.
“This is one of the most surprising, original and fun projects we’ve ever made,” said Lord and Miller. “Our goal was to tell a comedic whodunnit story in a new and exciting way. By giving each episode its own unique style of storytelling, we were able to make what feels like eight distinctly different but interconnected films that highlight how everyone’s personal perspective and biases shape how they see the world.”
“The Afterparty” features a stellar ensemble cast including Tiffany Haddish (“Girls Trip,” “Like a Boss”), Sam Richardson (“Tomorrow War,” “Veep”), Zoë Chao (“Love Life,” “Downhill”), Ben Schwartz (“Space Force,” “House of Lies”), Ike Barinholtz (“The Mindy Project,” “Neighbors”), Ilana Glazer (“Broad City”), Jamie Demetriou (“Fleabag,” “Stath Lets Flats”), Dave Franco (“The Rental,” “The Disaster Artist”) and John Early (“Search Party”). Created and directed by Miller, “The Afterparty” centers on a murder mystery at a high school reunion. Each of the eight episodes features a retelling of the same night told through a different character’s perspective, each with its own unique visual style and film genre to match the teller’s personality. In addition to directing, Miller serves as showrunner and is executive producing alongside Lord through the pair’s production banner, Lord Miller. Tony and Emmy-nominated writer, producer and performer Anthony King (“Search Party,” “Dead to Me”) will also executive produce the series. Lord Miller’s SVP of Television Aubrey Lee is a producer on the series, which was produced for Apple by TriStar TV and Sony Pictures Television as part of Lord and Miller’s expansive five-year overall television deal. The behind the scenes talent includes director of photography Carl Herse (“The Last Man on Earth,” “Black Monday”), production designer Bruce Hill (“The Last Man on Earth,” “It’s Always Sunny in Philadelphia”), costume designer Trayce Gigi Field (“Barb and Star Go to Vista del Mar,” “Dead to Me”), composer Daniel Pemberton (“The Trial of the Chicago 7,” “Spider-Man: Into the Spider-Verse”), and editor Joel Negron (“Thor: Ragnarok,” “21 Jump Street”) “The Afterparty” will join a growing offering of hit and award-winning Apple Original comedy series including Emmy, SAG, Critics’ Choice, Peabody and WGA Award-winning “Ted Lasso,” “Schmigadoon!,” “Physical,” Peabody Award-winner “Dickinson,” “Mythic Quest,” “Central Park” and the upcoming limited series, “The Shrink Next Door.” Apple TV+ is available to watch across all your favorite screens. After its launch on November 1, 2019, Apple TV+ became the first all-original streaming service to launch around the world, and has premiered more original hits and received more award recognitions faster than any other streaming service in its debut. To date, Apple Original films, documentaries and series have been honored with 154 wins and 523 awards nominations.
Bomani Jones the versatile ESPN personality who has gained traction with appearances on shows like “Highly Questionable” and “Around the Horn,” has found a new outlet for his work. But it’s not ESPN. It’s HBO.
HBO has ordered a new, weekly late-night series with Jones at its center that will go into production in New York starting next year. “Game Theory With Bomani Jones” is expected to examine timely issues in the world of sports. Jones is believed to remain under contract to ESPN through the start of next year, and indicated via Twitter Thursday that he would continue doing work with the Disney sports-media giant, particularly his podcast, “The Right Time.” He is expected to continue to contribute to programs like “Around the Horn” and “Debatable.”
The program represents the latest in a series of new weekly efforts many media companies are testing to fill a continued heavy interest in late-night talk and comedy at a time when executives are questioning some of the effectiveness and cost of a traditional Monday through Friday schedule. As more viewers migrate to watching programs at times of their own choosing, some regular backers of late-night offerings have scaled back, with WarnerMedia’s TBS ending Conan O’Brien’s program earlier this year, NBC parting ways with host Lilly Singh and ViacomCBS’ Comedy Central focusing on one regular late-night series, “The Daily Show,” instead of three.
Jones will join an array of weekly late-night efforts at HBO, which backs both John Oliver’s “Late Week Tonight” and Bill Maher’s “Real Time,” as well as “A Black Lady Sketch Show,” a seasonal effort created by comedian and actress Robin Thede. Other networks have also gravitated toward the weekly format, which counts Showtime’s “Desus & Mero” and TBS’ “Full Frontal With Samantha Bee” among their number.
“Bomani is one of the most unique journalists working today,” Nina Rosenstein, HBO’s executive vice president of programming, said in a statement. “He’s someone who gets that sports stories are often about race, politics, economics and gender, and sees a wider view that goes beyond what happens on the field. We are thrilled to be able to work with him and know that ‘Game Theory’ will deliver provocative, insightful and funny stories that you don’t hear too often in popular media.”
HBO subscribers may already be familiar with Jones. He is a contributor to the premium service’s “Back on the Record With Bob Costas” and has appeared in the HBO Sports documentaries “Battle for Tobacco Road: Duke vs. Carolina” and “Runnin’ Rebels.” He has been featured on ESPN for a decade and helped launch the talker “High Noon” with Pablo Torre. The duo tried to lead a show that offered a little more thought and nuance than the typical sports-talk program. Jones has several degrees in economics and Torre graduated from Harvard, building a reputation for himself as a writer at Sports Illustrated and ESPN The Magazine.
“This is, literally, my professional dream, to have a show like this one on HBO,” Jones said in a statement. “We have a chance to do something that hasn’t been done before, and I can’t wait to share our work with the world.”
Source: Variety
LAUGH OUT LOUD ANNOUNCES PARTNERSHIP WITH NBCUNIVERSAL; ALL THREE TITLES TO STREAM DURING AN EXCLUSIVE WINDOW ON PEACOCK AND ONE FELLOW TO RECEIVE A DEVELOPMENT DEAL
Writers Wilandrea Blair, Danielle Nicolet, and Moni Oyedepo Will Have their Scripts Produced and Developed by LOL Studios Under the Guidance of Lead Mentor Yamara Taylor and Industry Leaders including Leigh Davenport, Val Boreland, Zainab Johnson, and more. Gabrielle Dennis, Meagan Good, and Bresha Webb are Signed on to Direct.
Laugh Out Loud, the multi-platform comedy brand founded by Kevin Hart, and Sundance Institute, the non-profit film organization behind the Sundance Film Festival and Labs, announced the three selected fellows for their inaugural Women Write Now screenwriting fellowship, a program designed to champion the next generation of Black women in comedy. As part of a new partnership between Laugh Out Loud and NBCUniversal, the projects from all three fellows will stream exclusively on Peacock, and one fellow will receive a career-defining development deal.
The three selected writers—Wilandrea Blair, Danielle Nicolet, and Moni Oyedepo—were chosen from a pool of over 670 scripts submitted by aspiring writers across the country between July 8th and August 5th. 17 semifinalists were selected from 672 submissions, and after interviews with the program directors and LOL Studios executives, the group was carefully narrowed down to ten finalists, whose scripts were presented to a jury panel of award-winning filmmakers, industry leaders, as well as executives from LOL and Sundance Institute who selected the final three fellows.
“When we started this program, it was always with the intention of creating meaningful opportunity for Black women in comedy and changing the industry narrative around this talented and dynamic group of women who have traditionally been overlooked,” said Laugh Out President & COO and program Founder Thai Randolph. “What we’ve seen through this program is that there is no ‘pipeline problem.’ Danielle, Moni, and Wilandrea are three incredible writers who represent an unbelievably great pool of talent, and we couldn’t be more thrilled to partner with NBCU to create more opportunity and visibility for these women.”
In the coming weeks, the three finalists will develop their scripts through one-on-one guidance from Black-ish writer, Save By the Bell executive producer, and Women Write Now lead screenwriting mentor Yamara Taylor as well as receive mentorship on both their projects and careers from a panel of mentors and creative advisors working across the industry.
In addition to Taylor, mentors Val Boreland (EVP, Head of Content Acquisitions, NBCUniversal Television & Streaming) Keesha Boyd (Executive Director, Multicultural Entertainment, Comcast / NBCU), Tiffany Brown (VP, TV Development, Hartbeat), Leigh Davenport (Writer + Executive Producer Run the World), Tabitha Jackson (Director, Sundance Film Festival and Public Programming), Staci R. Collins Jackson (CEO, The Collins Jackson Agency), Zainab Johnson (Comedian and Actor, Upload), Thai Randolph (President & COO, Laugh Out Loud), Folayo Lasaki (Head of Marketing & Communications, Laugh Out Loud), Bresha Webb (Actor, Writer, Run the World), Candice Wilson Cherry (Head of Production & Development, Laugh Out Loud), and Michelle Satter (Founding Senior Director, Artist Programs, Sundance Institute) are set to guide the final writers as they get their scripts production ready through a series of five curated lab sessions.
“To say that it was no easy task to narrow the list down to our three fellows would be a gross understatement, but the sheer talent of the writers made the process a joy” said Laugh Out Loud, Head of Production & Development Candice Wilson Cherry. “This program has been a reminder of how much untapped talent exists—talent that is poised for opportunity. With their incredible scripts, Danielle, Moni, and Wilandrea each brought to life impactful, funny stories that jumped off the page. We are thrilled to be rolling into the next stage of the program with this incredibly gifted group of emerging writers and look forward to bringing their visions to life.”
Each writer, and project, will be paired with one of the Women Write Now guest directors—Gabrielle Dennis (A Black Lady Sketch Show), Meagan Good (The Intruder, Think Like a Man), or Bresha Webb (Run the World)—and production will begin later this month.
The 2021 Women Write Now screenwriting fellows and their projects are:
Writer: Wilandrea Blair
Logline: A nursing home’s famous funny man feels upstaged when his old comic nemesis moves in, reigniting their bitter rivalry. Knowing a hearty laugh could put each of them in cardiac arrest, their goal is to tell jokes that kill — each other. (Directed by Gabrielle Dennis)
Writer: Danielle Nicolet
Logline: On the advice of a therapist to treat her anxiety by, “thinking and behaving like happy people do”, one Black woman notices that white people seem pretty happy… (Directed by Meagan Good)
Writer: Moni Oyedepo
Logline: When Bri is offered a full-time job at the end of her internship, she’s shocked by the one stipulation her employer has for the position. (Directed by Bresha Webb)
In partnership with Laugh Out Loud, NBCUniversal will provide a development deal for one Women Write Now fellow. At the culmination of the lab, each writer will pitch their projects to programming executives, and one will be selected to develop a project for NBCUniversal, co-produced by LOL Studios.
“Developing diverse voices has long been a part of NBCU’s ethos and Laugh Out Loud and the Sundance Institute have been magnificent like-minded partners,” said Susan Rovner, Chairman, Entertainment Content, NBCUniversal Television and Streaming. “With Women Write Now, we’re able to use our platform to help support a new generation of Black women in comedy, taking an important step in ensuring more audiences see their lives reflected on screen.”
Selected projects will be produced by LOL Studios and premiere at a private screening during the 2022 Sundance Film Festival. The three writers will each receive a $10,000 stipend, a four-night trip to the Festival, and a first look deal with LOL. Following the Festival, the final short films will premiere and stream on Peacock for an exclusive window before releasing wide on LOL Network to an audience of over 100 million viewers.
“The Daily Show” host Trevor Noah is no stranger to unpacking big political and cultural stories with his nightly monologue and news satire program. It’s no easy task finding the funny in the dumpster fire of news. So it makes sense that Noah’s next projects won’t suffer from a lack of ambition.
Time Studios, Noah’s Day Zero Productions, Sugar23 and P&G Studios are teaming up on “The Tipping Point,” a documentary series that will tackle the big issues of the era, from voting rights to civil rights, human rights to healthcare, American Democracy to the global refugee crisis. Those are big, bold-faced topics with a capital T — any one would be hard to do justice to in a single film, let alone a docuseries.
To that end, each film in “The Tipping Point” will be a unique, standalone documentary. The talent participating in the series includes Noah, LeBron James and Maverick Carter through their media company The SpringHill Company, as well as Angelina Jolie, Kat Graham and Lance Bass.
The series will be executive produced by Noah, and the producers say the films will look at how “developments across our culture are rapidly leading to multiple critical moments with the potential to inevitably create the distinct delineation between before and after.” The films will be told in an array of styles, leaning into comedy in some instances while emphasizing the poignant in others.
“I hope these documentaries will act as a mirror to our society and showcase our resiliency while providing hope for the path ahead,” said Noah in a statement.
Michael Sugar, Ashley Zalta and David Hillman of Sugar23, Ian Orefice and Alexa Conway of Time Studios, and Trevor Noah and Haroon Saleem of Day Zero Productions will all serve as executive producers, with executive Ashley Dizon overseeing the project on behalf of Day Zero Productions. For P&G Studios, the executive producers overseeing the project are Carrie Rathod, Marc Pritchard and Kimberly Doebereiner. Norman Aladjem, Derek Van Pelt and Sanaz Yamin of Mainstay Entertainment will also serve as executive producers.
“Each film in ‘The Tipping Point’ will dig deep to provide an objective and comprehensive view of what is happening, how we got here and where it could lead,” said Sugar, Orefice and Saleem.
Noah is repped by CAA, Mainstay Entertainment, and Hansen, Jacobson, Teller, Hoberman, Newman, Warren, Richman, Rush, Kaller, & Gellman L.L.P. and Jill Fritzo PR.
Source: Variety
As part of the world’s most iconic comedy festival, Just For Laughs MONTREAL will be premiering their 14th annual Just For Laughs Award Show for free to fans and industry this Wednesday, July 28th at 7pm ET / 4pm PT.
Today, the festival announces the first few names of those who will make a special appearance, paying homage to this year’s recipients!
Appearing,
Will Ferrell (“Elf”, “Anchorman”, “Step Brothers”+)
Jon Hamm (“Mad Men”, “Bridesmaids” +)
Jamie Dornan (“Fifty Shades of Grey”)
Wendi McLendon-Covey (“The Goldbergs”, “Bridesmaids”)
Awkwafina (“Ocean’s Eight”, Crazy Rich Asians” “+)
Matt Rogers (“Gayme Show”, “Our Cartoon President”)
Award Recipients this year:
Dave Chappelle – Comedy Person of the Year
Jean Smart – Comedy Performance of the Year
Bowen Yang – Breakout Comedy Person of the Year
Kristen Wigg & Annie Mumolo – Comedy Writers of the Year
Jason Sudeikis & Bill Lawrence – “Ted Lasso” – Comedy Series of the Year
Hosted by Amber Ruffin
Additional special guest appearances to be announced Wednesday morning!
Tune into the 14th annual Just For Laughs Awards Show for free this Wednesday, July 28 at 7pm ET / 4pm PT at hahaha.com
On Tuesday, Netflix unveiled Plastic Cup Boyz: Laughing My Mask Off!, a new collection of stand-up specials exec produced by Kevin Hart, which will debut on the streamer on July 27.
The half-hour stand-up sets will spotlight three members of Hart’s famed comedy crew, the Plastic Cup Boyz: Joey Wells, Na’im Lynn and Spank Horton.
The collection of specials was filmed in front of a live Atlanta audience. Hart exec produced through his company HartBeat Productions. Royale Watkins directed all three specials in the collection and is also an executive producer on the project.
Laughing My Mask Off! is just the latest project on which Hart has collaborated with his Plastic Cup Boyz. In March, the MotorTrend Group announced that he would star alongside them in the original automotive series, Kevin Hart’s Muscle Car Crew. In that eight-episode show, renowned actor, comedian and producer Hart will offer a lighthearted look into the world of car collecting, as he and his crew aim to launch their own automotive club. The series launches this fall exclusively on the MotorTrend App, the leading subscription service dedicated specifically to the world of motoring.
Source: Deadline